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The Invisible Ray (1936)
Not Rated
Directed by: Lambert Hillyer

Writing credits: Howard Higgin (story); and Douglas Hodges (story); John Colton
(out of four)
Review by: Dan Geer
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Biography of Boris Karloff from imdb.com

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     Fans of old Universal Studios horror films get excited when they see a film that teams up Bela Lugosi (Dracula;The Raven) and Boris Karloff (Frankenstein;The Black Cat). But in this third time around, while they worked well together, the story just doesn't hold a candle to their previous collective works... well, perhaps a small one.

     As the story goes, Dr. Janos Rukh (Karloff), who lives in a region of the Carpathian mountains, has been experimenting on capturing a ray of light from the nebula in the Andromeda galaxy to recreate what's "recorded" on the beam of light, reproduce vibrations from the past and prove his theory to his former colleagues that a meteor hit Africa long ago and left behind an element more powerful than Radium.

     One of the former colleagues, Dr. Felix Benet (Lugosi), comes to accept Rukh's theory and asks him to go on an expedition to Africa with him and Kukh's former compeers to find this element. During their studies there, Rukh chooses to go off on his own (for weeks without communication to the others) to find the element and experiment with it. But what results is a horrible side effect of poisoning to his body, causing him to glow in the dark and kill anyone by a simple touch (sounds like he'd fit right in with the X-Men). Not only that, but it affectes his brain, causing him to take revenge on his colleagues for taking the credit for the discovery, and also on his wife Diana (played by Frances Drake) for leaving him for Ronald, one of his peers (played by Frank Lawton).

     With amazing sets, epic backdrops and decent acting, one would think that this movie would be a guaranteed hit. But surprisingly, the screenplay falls short of the mark, as Lugosi and Karloff have been given far better roles. In comparison to his role in The Raven, where Lugosi's acting abilities were pushed to the limit, he wasn't given much to do here. And while Karloff was given a much better role than Lugosi, playing a scientist who goes from a sane individual to a sinister killer, it wasn't enough to measure up to his better roles like the monster in Frankenstein or Hjalmar Poelzig in The Black Cat. It's a shame that two great actors who did very well together weren't given better material.

     But anytime Lugosi and Karloff are together in a film, it seems like something is amiss that just grabs our attention when we watch it. When we see their first scene together in this film, immediately we get the feeling that these two horror veterans have worked together before, and the audience has a mutual understanding that they are to be respected anyway - even if the story isn't as great. They have presence, and a history that goes beyond the story and weaves its way back in to help us enjoy the movie better than if it were being carried by two unknown actors.

     Does that forgive the story for not being nearly as entertaining or groundbreaking as the likes of Dracula or Frankenstein? No, but Lugosi and Karloff make the best of it, and what results is an okay script that becomes quite delightful as we sit back and watch the two of them go at it.


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